It’s that time of year when everyone starts thinking about Christmas. I’ve got not one, but TWO Christmas novellas coming out in the next month. The first one is out next week.
Tammy is normally at her happiest at Christmas when she has the flat to decorate and those perfect days between Christmas and New Year to relax. But when her long term partner dumps her with no real explanation, her Christmas starts to look very bleak.
Lawrence usually spends Christmas watching DVDs and catching up on his paperwork. At thirty one, he’s already stuck in a rut.
When Lawrence has a sudden heart attack, it is Tammy who comes to his rescue. It turns out a happy Christmas can be made from the most unexpected ingredients.
You can preorder it now – or just order it in the normal way next week.
Just one week to go before the launch of my first indie published book, Girl In Trouble goes live. Until now, I’ve been working my way through all the things that have to be done – getting first and second round edits to/from the editor, sorting out the cover, making sure that the backmatter links work, getting everything formatted and uploaded to Kindle, Kobo, Apple etc, sorting out the launch week bonuses. But now. Now the fear is hitting me.
All my previous novels have been published by a traditional publisher. The publisher was responsible for making sure that the right files went to the right place and all things went smoothly on launch day. This time around, I’m responsible for it all. What if something goes wrong? Having all the control is great, but on the flip side, it’s also all of the responsibility.
I’ve put together a few incentives for people to buy the book. The earlier you buy, the more you get:
It’s going to be 99p until the 11th of October. A bargain for a full length book in an established series.
If you buy it in the first week of release (9 – 16th of October) you get some bonus material for free: Kisschase –a book of short stories AND A collection of Sri Lankan recipes (which you can’t buy otherwise).
Right. I’m going to go hyperventilate quietly in the corner now.
I’ve got a new book coming out! For those of you who have read Girl Having A Ball, this is the next book in the series and follows Tom’s best friend Og.
Here’s the cover:
Isn’t it fabulous? I think the woman encapsulates Olivia’s attitude perfectly.
What do you do when the things that define you disappear?
Grown up tomboy Olivia doesn’t need a man to complete her. Judging by her absent father, men aren’t that reliable anyway. She’s got a successful career, good friends and can evict spiders from the bath herself, so she doesn’t need to settle down, thanks.
Walter’s ex is moving his daughter to America and Walter feels like he’s losing his family. When his friend-with-benefits, Olivia, discovers she’s pregnant by her douchebag ex, Walter sees the perfect chance to be part of a family with a woman he loves. But how can Walter persuade the most independent woman he’s ever met to accept his help, let alone his heart.
Girl In Trouble is coming out in all ebook formats on the 9th of October. Stay tuned for more updates (or better still, sign up for my newsletter – you get a free short story to keep you busy while you wait).
I picked this book up because, as you know, stories about modern Asian women/ second generation expats is totally my catnip. Also, I really like the cover.
Raina is nearly 30 and unmarried. Her grandmother (Nani) is trying desperately to find her a husband. But Raina doesn’t want to meet a nice Indian boy because she’s still in love with her ex… who is still stringing her along. There’s a lot going on in Raina’s life – apart from things with her ex, she’s not sure she loves her job anymore, her best friend Shay is having an epic Indian wedding and Raina herself is questioning why she made the choices she made.
Raina makes a seemingly small choice to lie to her Nani about something and this escalates, rippling out and affecting more and more people until she can’t come clean without hurting a lot of them.
There’s a lot of lovely description about the wider ‘family’ created by the other members of the diaspora. Turns out adopted Aunties in Canada feel just as much right to interfere are Aunties anywhere else. The wedding brings out the most extreme opinions in people anyway.
I loved Nani’s character. She is sweet and acerbic and complex (I especially like the flashbacks to Raina’s childhood where you get a glimpse of who Raina’s mother is like she is).
This is an interesting novel about how we live up to the expectations of other people and whether or not that’s a bad thing. It’s warm, funny in places, and entertaining. If you like Ayisha Malik’s Sofia Khan Is Not Obliged, then you’ll like this.
I received a copy of this via Netgalley in return for a fair review. Thank you Orion and Netgalley.
A couple of weekends ago, I went to RNAConf17 in Telford. This was my 6th conference and, as always, it was fantastic. I was in a flat with the rest of the Naughty Kitchen and sat up until waaaay past my usual bed time, eating chocolate and drinking (tea in my case, because I’m sad like that) and chatting about all manner of things. My favourite moment was when a first time conference attendee suddenly said “It’s so nice to be in the company of so many women who UNDERSTAND what it’s like to have people living in your head.” Yep. We get that.
Oh, and I had a lovely fan girl moment when I ran into Sarah Morgan. I love her books. I babbled. She was very gracious and let me take a photo with her.
I attended talks on how to manipulate images, how to ‘do’ social media, the future of the industry etc. The most eye opening talk by far was by Dr Ria Cheyne who talked to us about her research project into the representation of disability in romantic fiction. Her talk about about things to be aware of when writing disabled characters in romance. This is something I’m interested in. I’ve written depressed characters before, which I’m comfortable doing because I’ve been there. I have an idea in embryo about a mobility impaired character, and, since I don’t have first hand experience of it, I know I need to do research to make her life realistic.
Anyway, here are my notes from the session. If you have time, please visit the DisRom Project and take their survey. Pass it onto friends who read romance.
They’ve only had 500 or so reponses to their survey so far, so not enough to draw conclusions from. But responses to the question ‘Would a disabled character on the cover or in the blurb make you LESS likely to buy the book’ were 1%! Most people said it made no difference. A few people (around 19% said ‘it depends’).
The advice for writing about disability was:
Do your research – look at forums, speak to people with similar conditions. Don’t assume anything. Eg. Wheelchair users aren’t ALWAYS in their wheelchairs. A person using a white cane isn’t necessarily a 100% sightless.
Don’t use disabled secondary characters as a way of showing how good a main character is.
Don’t make disabled characters mysteriously wise (make them real people).
Be wary of recovery narratives where the disability is suddenly cured by a bonk on the head or a new miracle treatment.
Be mindful of language. Eg ‘She was a wheelchair user’ is different to ‘she was confined to a wheelchair’.
Remember hidden disability – not all disability is obvious or visible.
The questions at the end were also illuminating.
We discussed why representation was important (everyone deserves a happy ending!) and talked a little bit about how people reclaim derogatory language and how someone in wheelchair calling themselves a ‘crip’ is potentially realistic and non-offensive, an able-bodied person calling them that would be offensive, just as it would be in real life.
We also discussed how it was a good idea to have people familiar with the condition beta read the book before it goes out. This is a sort of ‘sensitivity beta read’ to check for mistakes or misconceptions rather than to check if anyone is offended by anything (people are offended by all sorts of things, you’d never write a book that doesn’t offend someone, somewhere).
It was a really interesting talk. It made me think about a lot of things.
Here’s the link to the survey again. Please do fill it in (and share).
Robbie and Emily have been together for a long time. They clearly love each other very much. But what is the secret they are keeping? What was so bad that they’ve lost contact with friends and family over it?
I’m not totally sure how to review this. As a writer, I loved it. The book is written backwards – given the story, it was probably the only way you could tell the story. At a technical level, it’s fascinating. You start with the day Robbie dies and go back in steps, each section revealing a part of the story, but raising more questions than were there before. There is a twist at the end that makes everything fall into place. The writing is beautiful (as always).
As a reader, I found it difficult to engage with the characters. Both Robbie and Emily are nice enough, but it took me a long time to get into it. I found I didn’t care as much about the why of their relationship as I’d expected to. In general, the start of the story (end of the book) was more interesting than the end (start of the book). For me, Julie Cohen’s books tend to be the sort where I burn the supper because I can’t bear to put them down and try to read and cook at the same time, so I’m a bit puzzled by this. Perhaps it’s the fact that you know where they end up.
In general, this book is unusual (both in structure and in subject matter) and a very thought provoking read. I’m still thinking about it.
My thanks to the publishers and Netgalley for sending me a review copy. I know Julie, but I was a fan of her books well before I met her.
When I was a kid, we used to go to Christmas parties organised by my Dad’s old college. They were always held in a cricket stadium in the outskirts of Colombo. My memories are rather hazy but I remember the saris and jewellery of the aunties and, as the night wore on, the dancing. There were always fireworks at midnight (sometimes we little ones fell asleep and were woken up to watch). I moved one of those parties to a church hall in the outskirts of London and used it as the setting for this story.
Aasha’s mother is matchmaking, which isn’t going to go well because her mother doesn’t know the real Aasha at all… or does she?
Those who have read Doctor January will recognise the hero in this story – Vik. After spending all that time with Vik while writing about his mates Beth and Hibs (Dr January), it seemed a shame not to give him is own happy ending. So, when I got the chance to contribute to the Truly, Madly, Deeply anthology published by Harlequin and the RNA (back in 2012), I wrote about Vik.
Alternatively, if you sign up to my newsletter this week, I will send you a link to a review copy!
If you do read it, please leave a review. We authors need reviews for all sorts of things (like getting Amazon to notice our books… and to stop us nervously eating chocolate in a frenzy of insecurity).
I love the Coorah Creek series (nearly all of them have made me cry – in a ‘good book cry’ kind of way) so, when I heard there was going to be a new novella – with a wedding in it, no less, I asked the author if I could have a review copy.
In this book we meet up with Ed Collins again (grumpy old bugger from Coorah Creek Christmas) who is a significantly happier man now that he’s reunited with his estranged son. We also meet Helen (mum to Tia from Little Girl Lost) who is searching for reconciliation. If anyone can understand just how hard it is to heal old rifts, it’s Ed.
I liked that Helen and Ed are a little older. I also liked the connections with the town. I feel like it’s a real place.
Oh, and did I mention the puppies? There are puppies.
The ending was lovely, but it was bittersweet because it felt like the end of the series.
Usual disclaimer- Janet and I write for the same publisher. I asked for a free copy so that I could read it early. This is an honest review.