I bought this as a box set after Red Headed Girl from Smart Bitches mentioned it (and I LOVED The Brothers Sinister series). I raced through the box set over the Easter weekend. I really liked the portrayal of a hero with dyslexia, partly because Ash worked around his dyslexia so well. His instincts and ability to work well with numbers gave him an advantage in business.
Ash Turner is ruthless, but everyone likes him. We meet him at the point where he comes in to take over as the next owner of the house Margaret Dalrymple thought was hers. The conflict is immediate and huge.
I loved Ash. He’s a good businessman who operates on his instincts. He’s dyslexic, but has worked out how to get around it (very successfully). His devotion to his brothers is heart rending, especially as his brothers are both scholars and he hasn’t told them that he can’t read! His reaction, when he found out about Margaret’s deception was wonderfully Ash and not what you’d expect at all.
Margaret is sharp and has secrets to keep.
Courtney Milan does families (and found families) really well and this is no exception. The dialogue is brilliant, as always. I was so taken by the world created that I went straight onto to reading the next book (and the next and the next).
When I read the first Max Seventeen book, I raved about it for days. It took me a while to get around to reading this one because… well, it’s a sequel and you know what they say about sequels. On the other hand, I LOVED Max. Plus, Space pirates.
I picked up the book and within the first few pages I was completely sucked back into the world of Max, Riley and the crew of the Eurydice. This second book has the same breakneck pace and energy as the first. There’s a ton of violence, cool space tech, a fair bit of sex (off page) and giant spiders. Max is still Max and in this book you get to see a bit more of her sister Priti and a lot more of Captain Orpheus (hooray!).
It’s a glorious, fast and fun space romp. If you like things like Firefly or Killjoys, you’ll love this.
Loved this book. It’s a cute NA romance about career focused coder and hopeless romantic Rishi.
I sometimes go on about diversity in fiction and this is exactly the sort of thing I go on about. It’s a lovely, quirky romance about a coding geek who meets a comic book geek. Dimple is serious, intense and completely focused on her goal of getting her app made. Rishi is courteous, charming and the quintessential dutiful son. They are both Indian, but they are also realistic and compelling characters without slipping into stereotypes. I was really invested in them and desperately wanted them to have their happy ending. When it came, I was grinning.
This is a fantastic book. Sweet, funny and moving.
It’s that time of year when everyone starts thinking about Christmas. I’ve got not one, but TWO Christmas novellas coming out in the next month. The first one is out next week.
Tammy is normally at her happiest at Christmas when she has the flat to decorate and those perfect days between Christmas and New Year to relax. But when her long term partner dumps her with no real explanation, her Christmas starts to look very bleak.
Lawrence usually spends Christmas watching DVDs and catching up on his paperwork. At thirty one, he’s already stuck in a rut.
When Lawrence has a sudden heart attack, it is Tammy who comes to his rescue. It turns out a happy Christmas can be made from the most unexpected ingredients.
You can preorder it now – or just order it in the normal way next week.
I picked this book up because, as you know, stories about modern Asian women/ second generation expats is totally my catnip. Also, I really like the cover.
Raina is nearly 30 and unmarried. Her grandmother (Nani) is trying desperately to find her a husband. But Raina doesn’t want to meet a nice Indian boy because she’s still in love with her ex… who is still stringing her along. There’s a lot going on in Raina’s life – apart from things with her ex, she’s not sure she loves her job anymore, her best friend Shay is having an epic Indian wedding and Raina herself is questioning why she made the choices she made.
Raina makes a seemingly small choice to lie to her Nani about something and this escalates, rippling out and affecting more and more people until she can’t come clean without hurting a lot of them.
There’s a lot of lovely description about the wider ‘family’ created by the other members of the diaspora. Turns out adopted Aunties in Canada feel just as much right to interfere are Aunties anywhere else. The wedding brings out the most extreme opinions in people anyway.
I loved Nani’s character. She is sweet and acerbic and complex (I especially like the flashbacks to Raina’s childhood where you get a glimpse of who Raina’s mother is like she is).
This is an interesting novel about how we live up to the expectations of other people and whether or not that’s a bad thing. It’s warm, funny in places, and entertaining. If you like Ayisha Malik’s Sofia Khan Is Not Obliged, then you’ll like this.
I received a copy of this via Netgalley in return for a fair review. Thank you Orion and Netgalley.
A couple of weekends ago, I went to RNAConf17 in Telford. This was my 6th conference and, as always, it was fantastic. I was in a flat with the rest of the Naughty Kitchen and sat up until waaaay past my usual bed time, eating chocolate and drinking (tea in my case, because I’m sad like that) and chatting about all manner of things. My favourite moment was when a first time conference attendee suddenly said “It’s so nice to be in the company of so many women who UNDERSTAND what it’s like to have people living in your head.” Yep. We get that.
Oh, and I had a lovely fan girl moment when I ran into Sarah Morgan. I love her books. I babbled. She was very gracious and let me take a photo with her.
I attended talks on how to manipulate images, how to ‘do’ social media, the future of the industry etc. The most eye opening talk by far was by Dr Ria Cheyne who talked to us about her research project into the representation of disability in romantic fiction. Her talk about about things to be aware of when writing disabled characters in romance. This is something I’m interested in. I’ve written depressed characters before, which I’m comfortable doing because I’ve been there. I have an idea in embryo about a mobility impaired character, and, since I don’t have first hand experience of it, I know I need to do research to make her life realistic.
Anyway, here are my notes from the session. If you have time, please visit the DisRom Project and take their survey. Pass it onto friends who read romance.
They’ve only had 500 or so reponses to their survey so far, so not enough to draw conclusions from. But responses to the question ‘Would a disabled character on the cover or in the blurb make you LESS likely to buy the book’ were 1%! Most people said it made no difference. A few people (around 19% said ‘it depends’).
The advice for writing about disability was:
Do your research – look at forums, speak to people with similar conditions. Don’t assume anything. Eg. Wheelchair users aren’t ALWAYS in their wheelchairs. A person using a white cane isn’t necessarily a 100% sightless.
Don’t use disabled secondary characters as a way of showing how good a main character is.
Don’t make disabled characters mysteriously wise (make them real people).
Be wary of recovery narratives where the disability is suddenly cured by a bonk on the head or a new miracle treatment.
Be mindful of language. Eg ‘She was a wheelchair user’ is different to ‘she was confined to a wheelchair’.
Remember hidden disability – not all disability is obvious or visible.
The questions at the end were also illuminating.
We discussed why representation was important (everyone deserves a happy ending!) and talked a little bit about how people reclaim derogatory language and how someone in wheelchair calling themselves a ‘crip’ is potentially realistic and non-offensive, an able-bodied person calling them that would be offensive, just as it would be in real life.
We also discussed how it was a good idea to have people familiar with the condition beta read the book before it goes out. This is a sort of ‘sensitivity beta read’ to check for mistakes or misconceptions rather than to check if anyone is offended by anything (people are offended by all sorts of things, you’d never write a book that doesn’t offend someone, somewhere).
It was a really interesting talk. It made me think about a lot of things.
Here’s the link to the survey again. Please do fill it in (and share).